Books

2026 Reading Challenges

~ Rose Sparrowking

I read 28 new books in 2025. That doesn’t sound like much, but I also re-read many old favorites. Some books have become comfort food in a sense. When I’m stressed or worried (which is frequent) or I can’t sleep (also frequent), I re-read books I know well. If I fall asleep, it’s okay. If I stop and move onto something else, it’s okay—I’ve read them before. My comfort reads usually involve Michael Connelly’s Harry Bosch series or L. E. Modesitt, Jr.’s Corean Chronicles.

I decided to keep my 2026 reading challenge simple: fifty new books. I read that much and more, but I need to focus on new-to-me books and get out of the rut of reading the same thing over and over. I’m on Goodreads if you want to see what I’m reading. I rarely review, which is a change for another New Year. I always have my phone with me, even when working at the library, so it’s quick to add yet another book to the TBR list!

Do you more of a reading challenge for 2026? Here are 4 for you to try:

2026 NoveList Reading Challenge. ‘For the 2026 Novelist Reading Challenge, we’re inviting your library and your patrons to join us on a journey of reading exploration to “Find What You Like.”‘ “NoveList Plus is the premiere database of reading recommendations, available through libraries around the world presenting fiction, nonfiction, and audiobooks and includes expert recommendations, reviews, articles, lists, and more.” See if your library offers this database. Their 2026 challenges encourages you to read a different genre per month to find what you like. For January, the challenge is to read a science-fiction novel.

Book Riot’s 2026 Read Harder Challenge. I wish you didn’t have to subscribe to Book Riot for complete access. You didn’t have to in the past but with the economy as it is… First challenge: Read a microhistory. I would need to look up what that is and what books are recommended.

Boston Public Library is doing a Winter Reading Challenge. “This winter, the Boston Public Library is challenging you to read a book by an author from each of six geographic regions: Africa, the Americas, Asia, Europe, the Middle East, and Oceania.” This one looks like fun! I’m always reading authors from the USA or the UK. Another perspective would be fascinating.

Massachusetts Center for the Book. 12 Months. 12 Books. Nice and easy. You have the chance to win free books! Woo! January’s challenge: read a book about or set in winter.

Can you guess what state I live in? Hahaha!

Let me know if you’re planning a 2026 reading challenge and what it entails!

Tackling my TBR pile this month

~ Rose Sparrowking

I’ve got dozens of books languishing in my Kindle’s TBR pile—most from Amazon’s Prime First Reads—and I’ve been guilt-tripping myself about it while rereading old favorites for the hundredth time. Most of these books are by authors unknown to me, so I’m taking chances on each one.

I don’t want to waste time on books that aren’t clicking, but I also want to give unknown authors a fair shot. My plan is to give a book 2 chapters and then quit and move to the next if I’m not enjoying it.

Let’s see how many I can actually get through this month!

1.Ten Thousand Light Years From Okay by Tracy Dobmeier and Wendy Katzman

“A widowed and grieving young novelist believes her words create realities—both tragic and charmed—in a hopeful and surprising novel about family, newfound love, and moving on.”

I almost bailed on this one. Thea felt shallow at first, obsessing over her outfit for preschool drop-off, and the opening was heavy on backstory without much forward momentum. Usually that’s my cue to toss a book into my “Books that suck” collection and move on. But I stuck with it, and I’m glad I did. The story transformed into something beautiful and emotional about living with and through grief. It actually got to me. I might even reread it to see if those early chapters bother me less now that I know where it’s going.

Verdict: Kept reading past chapter 2—and finished it.

2. Slow Horses by Mark Herron

“Welcome to the thrilling and unnervingly prescient world of the slow horses. This team of MI5 agents is united by one common bond: They’ve screwed up royally and will do anything to redeem themselves.”

I love the Apple TV show, but like the show, this book starts slow. The opening is fantastic—River Cartwright’s operation goes spectacularly wrong, and then… did he really just get blown up!? But then it grinds to a halt with scene after scene introducing every person working at Slough House. Pure info dump.

I put it down once, picked it up again to give it a fair shot, and didn’t get pulled into the story until about the quarter mark. I imagine the sequels won’t suffer from this bland setup, but I’m not sure I’ll stick around to find out.

That said, Herron’s writing is lovely—almost poetic—while keeping the descriptions relevant to the story. That’s what kept me going.

Verdict: Finished but I doubt I’ll ever re-read it or read any more of the series

3. Tea & Alchemy by Sharon Lynn Fisher

“A tea leaf reader in nineteenth-century England falls in love—and in danger—with a reclusive alchemist.”

I’ve been in a cozy-reading mood lately, so I was looking forward to this historical vampire fantasy. Unfortunately, it reads very much like a Dracula fanfic. Mina is simple and sweet, yet somehow the smartest person in any room—including the studious vampire himself. Naturally, the vampire doesn’t want to be evil; killing people for sweet, sweet blood is a terrible burden. Mina’s blood, of course, is the sweetest of all, thanks to her descent from an ancient people responsible for the vampires’ existence. And naturally, only she can fix everything.

As long as you take it for a fluffy read, it’s enjoyable.

Verdict: finished but unlikely to be read again.

Book Review: Flavia de Luce 11

~ Rose Sparrowking

What Time the Sexton’s Spade doth Rust: A Flavia de Luce Novel by Alan Bradley

A Turning Point in the Beloved Series

There’s been ongoing debate in the mystery community about what constitutes a “cozy” mystery. Recently, I encountered someone describing the Flavia de Luce novels as belonging to this subgenre, which gave me pause. When I think of cozies – those mysteries I regularly shelve at the library – I picture titles with punny references to baking disasters or amateur sleuths who run cat cafés. The Flavia series has always felt different, occupying a unique space between the light-hearted charm of cozies and something darker.

This distinction has never been more apparent than in What Time the Sexton’s Spade doth Rust. To put it in perspective, I’m currently reading Ramona Emerson’s “Exposure,” which opens with the devastating murder of six children, including an infant – a book I frequently need to step away from due to its brutal realism. While Flavia’s latest adventure doesn’t venture into such explicitly dark territory, it marks a significant departure from the series’ earlier tone.

For the first time in my journey with these books, I found myself setting this one aside halfway through, not returning to it for weeks. The issue wasn’t graphic content or disturbing themes, but rather a growing dissonance that I could no longer ignore. The willing suspension of disbelief that allowed me to accept Flavia as a 13-year-old sleuth who commands adult respect finally crumbled. No matter how brilliant or precocious she may be, the cognitive dissonance of her age versus her role in these investigations has become increasingly difficult to reconcile.

Bradley’s signature elements are all present: the clever dialogue, the fascinating chemistry details, and the richly drawn world of Buckshaw and its surroundings. The previous installment had left me hopeful, with promising developments including:

  • The establishment of Dogger and Flavia’s detective agency
  • The blossoming relationship between Flavia and Undine
  • Potential for healing in Flavia’s complicated relationship with Inspector Hewitt

However, this latest entry seems to have taken a darker turn that overshadows these positive developments. While the series has never shied away from serious themes, something about this installment feels different – as if we’ve reached a crossroads where the charming eccentricity of earlier books has given way to something more sobering.

The book’s title, drawn from old folklore about death omens, proves sadly appropriate. It marks what may be my departure point from a series I’ve long cherished. The previous book had left me with a sense of optimism about Flavia’s future adventures. This one, however, opens what feels like a portal to a darker version of her world – one I’m not certain I wish to explore further.

Long-time readers of the series will find familiar pleasures in Bradley’s prose and his young protagonist’s sharp wit. However, they may also notice, as I did, that something fundamental has shifted. It’s not that the book is poorly written or that the mystery itself fails to engage. Rather, it’s that the delicate balance between youthful adventure and adult themes that characterized the earlier books has tipped, perhaps irretrievably, toward the latter.

Final Thoughts

While “What Time the Sexton’s Spade doth Rust” maintains the technical proficiency we’ve come to expect from Bradley, it may represent a turning point for many readers. The question becomes not whether the book is well-crafted, but whether this new direction serves the series’ strengths. For this reader, at least, it may be time to bid farewell to Flavia while I can still cherish the memories of her earlier adventures.

Rating: ★★★☆☆

Not because of any failure in craft, but because sometimes growing up means growing apart.

This blog post was written with assistance from Claude, an AI created by Anthropic. While the ideas and content are my own, I used Claude to help with writing, editing, and refining the text.

Another Writing Seminar

~ Rose Sparrowking ~ 1 Comment

Signed up today for another writing seminar, that I’m especially looking forward to:  How Hundreds of Writers Have Leveled Up Their Craft More in 6 weeks Than 6 Years of Trying (and Failing) on Their Own with Tim Grahl from Story Grid.

I’m currently listening to the Writing Made Easy podcast where Savannah Gilbo interviews Tim Grahl about his newest fiction book and he said something that really spoke to me: ” But once I started writing the book, my goal was to just make each scene as good as it possibly can be, and he [Shawn Coyne] did do a line by line edit and amped up parts of the book as well, but for the most part it’s what I wrote and I think more than anything, people don’t understand how important that one skill is is like can you write a scene that is so compelling that people turn the page and read the next scene and, based on everything I see coming across my desk, most people can’t do that.” (Italics are mine.)

Savannah highlights this powerful quote at the beginning of the podcast: “One thing that drives me crazy about writing is that in almost every other art form we separate performance and practice as two separate activities, and in writing we just smush them together. So it’s like I’m going to learn how to write while I write something I want to publish. That’s like saying I’m going to learn how to play the guitar while playing a concert. Like that doesn’t make any sense. I wish more writers would stop trying to produce their work in progress and just become really good at the skill of scene writing.” (Italics are mine.)

So the goal for this year is to finish the damn book. The goal for next year is to practice writing compelling scenes. I’d love to take the 12 week course that Story Grid is offering but I can’t even imagine what the cost would be, especially since they’re offering a $250 discount if you do whatever. Plus you have to apply to take the course. Hopefully this free seminar will have some good information for me to start with!